Tall Tales from a Big Fish
At first glance, Big Fish is an adventure movie. Edward Bloom (Albert Finney) has lead an unreal life, or so it seems. He has always told his son stories about making friends with a giant, assisting in a bum bank robbery, and catching an uncatchable fish with his wedding ring. But Will (Billy Crudup) has grown weary of the insistent repetition of his father’s stories. He seems to be the only one whom his father can’t charm, and is convinced Edward has never been himself, only putting on a charade in order to make his past sound more exciting than it was.
When he leaves his hometown of Ashton, Alabama, the teenage Edward Bloom (Ewan McGregor) stumbles into the eerie town of Spectre. The camera pans in from a high angle and shows what would be main street, if there was a street at all. The town is covered in lush, green grass, and everyone walks barefoot. When Edward comes back at a later time, the town is dilapidated and has fallen to bankruptcy, so he buys up the town and restores it. The problem is I don’t care that he graciously bought an entire town to save it from collapsing altogether. He did it because he’s a nice guy who helps people because he knows it’s the right thing to do, but I already learned all of that during the expository scenes at the beginning, through the montage of Edward winning high school sports games and saving animals from burning buildings. I got bored with Edward because he keeps doing the same type of good deed.
Directed in true Tim Burton fashion, flashbacks of Edward’s memories string together the fantastical tales with astonishing cinematography. He has delivered a film that looks just like a fairytale. There’s no question the film looks fantastic and that a lot of hard work came from the special effects department. However, there is question as to the point of such flashy showmanship. The more recent movie, Oz: The Great and Powerful (2013), has the same issue. Vibrant colors and elaborate graphics take your breath away, but what it makes up for in visual achievement lacks in its aid to the plot, and more importantly to the development of the characters. Burton is known for movies with darker themes, such as Sleepy Hollow (1999) or Beetlejuice (1988), and this 2003 film is not excluded from his grandiose sets and overall style.
Mis en scene, which is anything put in front of the camera purposefully to show symbolism or a theme, is easy to find in this film. Water is a constant presence in Edward Bloom’s life, from the rain when he was born to the river he laid in when he died. In every scene in the movie, water can be seen on screen. It nears the point that it’s distracting. When he learns where the woman he loves, Sandra (Alison Lohman), goes to college, there’s a river flowing in the background. When Edward and Will have their fight that leads to a three year schism, they’re standing next to a lake. A glass of water is always within arm’s reach of older Edward. Even Sandra herself, including when she’s in her later years (Jessica Lange), has a wardrobe full of blue.
The symbolism behind the water plays at the idea that Edward could be the big fish. In the beginning of the movie, Edward reads about small goldfish staying small in a small bowl, but getting bigger if it gets into a bigger bowl. From then on, he tries to get from his small bowl of a hometown to the ocean of the world. Edward thinks he’ll go on and do great things. But if that was the case, he wouldn’t need to embellish his life to this extent. I think Edward Bloom failed at becoming a big fish, so he has to lie to others, and even himself, so his life doesn’t seem so miserable in the end. Edward is a shallow character if all he cares about is making sure he appears as an awesome person to others.
If you watch interviews with the writers, you would know much of the film is based on myths. The purpose of the ancient myths, such as the story of Persephone, is to help people understand a concept that is difficult to grasp. In Persephone’s case, the purpose is to explain why the seasons change. But Big Fish is full of myths that make you think you understand Edward better, but as the credits rolled, I didn’t have a clearer picture of him at all. When Will confronts his father just before he has a stroke, he compares him to an iceberg, as he feels he only sees the surface of Edward, and that he’s hiding the other 90% beneath the water. Edward tries to tell him he’s been nothing but himself since the day he was born. From my perspective, since the day Edward Bloom was born, he’s been trying to be something bigger and better than he actually is. The flashbacks show us that being himself means making up stories that are rich in deceptions and disguised in really pretty sets and costumes.
By the end of the film, father and son have reconciled. Will goes and sees Jenny, (Helena Bonham-Carter) who was supposedly a resident of Spectre, and bluntly asks her if Edward had an affair with her. He had spent so much time away from home while Will was growing up, that this scenario is the most logical explanation. Jenny denies and explains to him that Edward was only helping out around Spectre. The first character in the whole movie to learn something new, Will realizes he needs to accept his dad for who he is, frills and all. This one character, played by a sub-par actor, is stubborn the entire movie, but within five minutes has a change of heart and is able to be a good and caring son. It felt like Billy Crudup had way less screen time than he did, mostly because his character seemed like a placeholder, just a tactic to keep the film moving.
At Edward’s funeral, several of the characters we met in flashbacks are there, in their true form. Karl is just a really tall guy, the Siamese twins are just a normal set of twins, and the ringmaster turns out to just be really hairy and not a werewolf at all. They all stand around and tell stories of the wonderful Edward, but I doubt any of them are surprising or vary in theme. Their stories throughout the movie only had one point to prove: Edward was a great guy because he liked to help people. But a great guy would have more than one quality that set him apart.
John August was the screenwriter for the movie, which he adapted from Daniel Wallace’s novel. It’s impossible to say what genre August was trying to put this movie in. I would give him too much credit if I said it was a cut and dry adventure movie, because the point of an adventure movie is to get somewhere or obtain something. Edward Bloom goes places and obtains a wife, but it doesn’t cost him anything. The journeys and struggles have not phased him as a person at all, and that type of character just isn’t realistic.
The only actor that did an outstanding job was Ewan McGregor. Even though he’s playing such a flat character, he brightens up the role considerably. McGregor doesn’t miss a beat with the writing, and his face is earnest and believable, especially in the scenes with Alison Lohman. Albert Finney is a renowned British actor, but he seems to be sidestepped in this film. Tim Burton uses him as a gateway to get to the storytelling bits in the movie. Finney and McGregor don’t even seem like they’re playing the same person. Older Edward is a little snarky and, quite frankly, annoying. But his younger self is upbeat and charming, eager to help someone out of a jam just because he knows he should. The only similarity between the two is the habit Edward has when he places his thumb on his wife’s chin as a form of endearment. In contrast to McGregor and Finney, Alison Lohman and Jessica Lange had me mesmerized by how well they complimented each other. Sandra, as a character, ages seamlessly. She still has that twinkle in her eye that gives away her spirited temperament.
It won’t do you any good to think too hard on which stories are real and which have been altered, or even which have been made up altogether. Watching Big Fish is frustrating, that’s plain as day. You try so hard to make sense of Edward Bloom, to find the logic in the madness, but in the end all you’re left with is a headache. The point of the movie is to know Edward is a good guy through his retelling of fables, but that point is made early on in the film. The rest of it is pure visual entertainment that is trying to come off as having deep symbolic meaning about the characters.